The Black Keys are returning—and they’re letting it be heard loud and clear with their high-voltage new single “Babygirl.” The energetic song gives the band’s fans a preview of what to expect from their much-awaited 13th studio album, No Rain, No Flowers. Set to release on March 21, 2025, the single has already rekindled anticipation over the duo’s sound while teasing a new, recharged direction in their music. We can hear the roar of fans already!
The Rise of The Black Keys
Let’s get a bit into history, shall we? Born of the grittiness of Akron, Ohio, The Black Keys’ Dan Auerbach and Patrick Carney rose to the forefront of the early 2000s garage rock resurgence. With a raw, blues-driven sound, they rapidly climbed the rock ranks with chart-dominating albums such as Brothers and El Camino. Their hard work did not go unrewarded, garnering multiple Grammys and establishing them as contemporary rock legends.
But their journey to their current project wasn’t smooth sailing. The duo experienced setbacks such as canceled tours and management issues, leading them to directly battle industry pressures. These tests, however, have only fortified their determination to produce music that’s real and very personal.
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The Magic Behind “Babygirl”
When we tell you that this track is LITERAL magic, one to really look out for! “Babygirl” is an energetic mix of euphoria and retro grooves, based on an animated piano riff which encapsulates the spirit of love and bliss. Co-written with Grammy-winning songwriter Dan Tashian and award-winning producer Scott Storch, the song combines a retro feeling and a modern finish.
Auerbach looks back on the session: “Scott added such a special energy to the studio. To see him get into our archives of vintage keyboards was amazing—his contribution is really heard throughout the track.” This energy can be felt, with the catchy tempo and soulful tones of the song providing a perfect foretaste of the album’s subject matter.
What to Expect from No Rain, No Flowers
The new album holds the prospect of a fuller, more inward-looking story from the duo as they draw inspiration from their more recent struggles. Resilience, change, and love pervade the record, which may be one of their most grandiose enterprises yet.
Musically, fans should look forward to a blend of funk, soul, and traditional rock influences, which speaks to the group’s desire to grow while remaining faithful to their roots. “This album feels like a fresh start,” Carney reveals. “It’s about embracing growth and turning hardships into art.“
Challenges and Redemption of The Black Keys
Last year, the sudden cancellation of their North American tour left fans disappointed. Although the backlash was the low point, Auerbach and Carney used the intervening time to regroup, refocus, and channel the lessons learned into this new work. The outcome? An album that is part personal diary and proof of resilience.
As they prepare for their UK performances and an updated US tour, the duo is keen to get back out there in front of crowds and re-establish themselves in the spotlight.
Babygirl: A Shimmering Prelude
“Babygirl” isn’t just a single – it’s a statement. The track’s vibrant energy and soulful lyrics transport listeners to a place of carefree joy, yet it maintains the grit and authenticity fans expect from The Black Keys. The production is immaculate, blending warm vintage tones with modern flair, making it both nostalgic and forward-thinking.
This is The Black Keys in top form: willing to take risks but firmly grounded in what makes their music ageless. If “Babygirl” is anything to go by, No Rain, No Flowers promises to be an aural masterpiece.
The Road Ahead of The Black Keys
With No Rain, No Flowers on the horizon and a busy touring schedule in the pipeline, The Black Keys are set to return in triumph. This is not another record; this is a party of the possibility of it all, the power of rock and roll to endure.
To fans, the word is out: The Black Keys are not merely holding on but thriving, set to score the next chapter in our lives with heart, soul, and an awful lot of rhythm.
